PRIME POCUS · Media Editor
Colorize the structure, label it, crop away the machine’s banner, lift a dark sector, and keep only the seconds that matter. One file at a time, in your browser — the file never leaves this device and the original is never overwritten unless you say so.
Runs entirely in your browser. Nothing you open is uploaded or stored.
Every example below is a real file this editor wrote — not a drawing of what it would do. Drag the handle to compare.
Wash a structure in colour to say this is the thing without covering it up. The region can be tracked frame by frame, so the colour stays on the finding while the finding moves.
The kidney is filled rather than circled, and on the loop the free fluid above the liver is filled while it changes shape with respiration — the region was drawn on a few frames and interpolated across the rest.
These are files the media editor wrote, not an overlay drawn on top of an untouched clip. What you see here is what a learner would open.
Arrows, freehand, shapes, text and measurement marks. Draw on a single frame, or carry a mark across the loop so it stays on the structure it is pointing at.
Seven labels on a beating parasternal long axis — septum, left ventricle, mitral valve, aortic valve, RV outflow, left atrium, descending aorta — turn a view a learner has to be taught into one they can read while it moves. On the still, an arrow to the Nexplanon rod and another to its posterior shadow say why the bright line matters.
Both sides of the clip comparison are the same recording with and without its marks, playing in step — so what the handle reveals is the annotation and nothing else.
The housekeeping that makes a teaching file look deliberate: cut the machine's banner away, lift a dark sector, and keep only the seconds that show the finding.
The header strip and the machine's soft-key bar are gone, along with the acquisition date sitting in the top corner — which is also one fewer identifier to worry about.
A modest lift in brightness and contrast on a sector that was acquired dark. Applied to the whole clip, not one frame.
Sixty-five frames trimmed to the twenty-two that contain the finding. The exported file gets smaller, and the learner is not waiting through the search.
Drop in an image or a loop and start editing. Hidden metadata is stripped on the way in, and a file you tell it contains PHI is sent to Media Prep instead.
